Winning a National Award was always a dream but I was not chasing it.
Its value is much more than any other commercial award. And then to get this one — given by the government of India — is a great feeling. How much of the Jolly LLB role was written in the script, and what did you add with your performance?
On paper, Saurabh shukla wife sexual dysfunction role was just that much, but I knew that the crux of the film lay in this character, and it was up to me to underline that. It was a beautifully written part but I improvised a lot.
I worked out his back story on my own. Do you think that maybe your other roles led to this win? But that went against me, because over the next 10 years, I felt taken for granted. In that sense, being a good actor is the biggest cross one carries. So I do commercial films for which I charge Saurabh shukla wife sexual dysfunction, but I also do two films a year for free. I guess, in that sense, it all leads up to something.
When did you get interested in acting? I come from a family of musicians. My father is a vocalist while my mother, Dr Jogmaya Shukla, is the first woman tabla player of the country. We grew up with art and culture.
Unlike other families, my elder brother and I were allowed to watch four films a week. My exposure to cinema began at an early age. "Saurabh shukla wife sexual dysfunction" toI did theatre and found my passion in acting. I had no desire to act in cinema. Then Bandit Queen happened and here I am.
What is your favourite memory of Bandit Queen? The way I got the film. Shekhar Kapur came to see her in Saurabh shukla wife sexual dysfunction show, where I was acting with her.
Tigmanshu Dhulia, who was his assistant, then asked me to come to Mumbai. I had no idea about the role. Nobody was given a script.
There were no dialogues. Everything about Bandit Queen was created on the sets, was improvised. We were all waiting for our moment. If anyone got a job, we would have a booze and mutton party and get wasted. I had five TV shows and I gave them all up. I took up Kareeb and then Satya happened. How did you deal with this period? The real lull started after Satya. For almost six years, I sat in this office without any work.
I just wrote every day and took up small roles that came my way. The industry was not offering me anything worthwhile. I had neither money nor job satisfaction. Then, Anurag Basu called me up for Barfi. But when he told me about the role, I came alive.
Anurag and Ranbir Kapoor revived me as an actor. I would look forward to go on the sets — the process of shooting Barfi was very similar to Bandit Queen. Then Jolly LLB came my way. For all the knocks that come with the territory of being a character actor, what keeps you going? Obviously, I need all these things, I even want them, but what keeps me going is my art.
What keeps me going is the answer to two simple questions: Did I write a good scene today? Did I surprise myself today?
If money motivates you, then you are in a race where you can never keep up. What are your insights about contemporary Bollywood? When I came to Mumbai, it was a great time to be in television.
When we came in, if we had an original story to tell, the producer would ask us to leave the office. So we started hustling.
We started telling producers that we have taken this scene from that film. In the last 15 years, it has changed so much.
Now producers say, please meet us if you have original scripts. We are telling our stories, our way. I tell them what they told me when I was young: You write, act and direct. What do you enjoy the most? I enjoy making a film the most. All the other things are a part of that.
Tell us something about your role in P. For six years after Satya, I was without work.
Satya (English: Truth) is a Indian Hindi-language crime film, produced and directed by Ram Gopal Varma; written by Saurabh Shukla and Anurag Kashyap. It stars J. D. Chakravarthy, Manoj Bajpayee, Urmila Matondkar, Shukla and . Problems playing this file?