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Full text of " The French Tragi-comedy " See other formats Google This is a digital copy of a book that was preserved for generations on library shelves before it was carefully scanned by Google as part of a project to make the world's books discoverable online.

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You can search through the full text of this book on the web at http: The Earliest Tragi-Comedies 24 ; B. Non-French Tragi- comedies from to 16S2 27 —Conclusions Analyses and Sources ; Characterization In quoting names, titles, and passages from French authors, I have endeavored as far as possible to reproduce the original orthography, accentuation, etc.

It had been as M. For forty years the chief expression of the form of dramatic art that is popular in its appeal, it must be studied for any complete history of the French people or their stage. The history of the tragi-comedy shows that the French had for a long period cultivated a type of dramatic composition akin to that which reached such perfection in England and Spain, so that their failure to produce a Shakspere, or Lope, is not assignable, as many have intimated, to the repress- n ing influence of classical rules.

This evidences a whole' cycle of literary evolution, which repays in- vestigation, not only for its own sake, but for that of other genres in which the process may be equally true, but less apparent.

It is my purpose to trace this evolution as far as the year. It is the year in which Hardy completed the publication of his extant plays, while Botrou brought out his first tragi-comedy and a comedy that started the French imitation of the Spanish drama.

At some time I hope to treat the second of these periods, but at present I confine myself to the first. Other catalogue-writers, those named above as well as those of lesser importance mentioned in my bibliography, have been consulted with caution. Among the works that have been of greatest assistance to me may be mentioned the enlightening criticisms of M. Lanson, the excellent treatises of M.

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Rigal on Alexandre Hardy and the contemporary theater, and the valu- able historical researches of MM. Before beginning an historical investigation of the plays, I must turn to those definitions that are of importance. Had they investigated further, they would have found that Lagravis wife sexual dysfunction are few tragi-comedies that do not follow the example of the Bradamante.

As a matter of fact, it is exceedingly common for the lives of the principal persons to be endangered, so that this definition appears somewhat absurd.

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